Image copyright © by Marcus Trahan



There is a small but growing genre of films about modern-day Indians, most of them heartfelt but maybe technically a bit deficient, because they are made on a shoestring budget, and maybe not the best acting, because a lot of amateurs or first-timers are used. If you don’t mind this (and I don’t, if it’s from the heart), this is a good one. A particularly good ending, which I will not spoil here.